在远离文明的森林中，当四个朋友听到帐篷外传来刺耳的外星人声音时，原本正常的露营之旅变成了一场噩梦。
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
'In Vitro' is an otherworldly rumination on memory, history, place and identity. Set in Bethlehem decades after an ecological-disaster, the dying founder of a subterranean orchard is engaged in a dialogue with her young successor, who was born underground and has never seen the town she's destined to replant and repopulate. Inherited trauma, exile and collective memory are central themes.
如果有一天，地球上的氧气终将消失殆尽，那么人类的命运又会是怎样的？
一夜长大恐怕是每个小孩的梦想，长大了就能自由自在。12岁的光仔更是比其他小孩都渴望长大，因为他的妈妈刚刚意外自杀身亡，爸爸找来了一个新妈妈。光仔吃惊地发现自此妈妈死后自己就不再长高，一切都是爸爸和新妈妈的错，光仔心里一直这么认为。
故事紧承上一部展开。在丈夫为保护家人牺牲后，伊芙琳（艾米莉·布朗特 饰）不得不独自带着孩子们（米莉森·西蒙斯、诺亚·尤佩 饰）面对全新的生存挑战。他们将被迫离开家园，踏上一段未知的旅途。在无声的世界里，除了要躲避“猎声怪物”的捕杀，铺满细沙的道路尽头还暗藏着新的危机。
在深层宇宙空间，两艘敌对的宇宙拾荒者飞船发生小规模战斗。杰克（肖恩·派特里克·弗兰纳里 Sean Patrick Flanery 饰）率领的排水沟号和维克（罗克·克里切洛 Roark Critchlow 饰）率领的启示者号围绕维克刚刚得手的混沌发生器，展开了激烈的角逐。或许，启示者号上的美丽女子爱默生（露易丝·林顿 Louise Linton 饰）也是这两个曾经并肩闯荡全宇宙的男人反目成仇的重要原因。好不容易从排水沟号的猛烈炮火中逃脱，维克一方很快发现了混沌发生器的强大威力，这个来自外星人的高科技产物足以摧毁全宇宙的平衡。 漫无边际的旅程，排水沟号和启示者号宿命的对决即将上演……
皮卡特舰长获知百科（Data）中尉在巴库（Baku）星球被掳为人质后立刻率企业号前往营救。当他们来到巴库星球，整个星球上只居住了六百名巴库人，与世隔绝、摒弃科技、崇尚和平，过着纯朴的生活；百科被掳不像是巴库人的作风，想必另有隐情。皮卡特舰长遇到一名叫做安妮的巴库女子，经由她得知巴库人虽然看起来年轻，星球的原居民巴库其实年龄都已经超过三百岁了。面临老化的索纳（Sons）人，发现巴库人长生不老的秘诀再于巴库星球外围的特殊放射线能不断的重组基因结构。如今巴库人要遭受灭种的威胁……来自外层空间的索纳人联结星际联盟，根据原有的巴库人村落拟造了一个一模一样的环境，预谋将巴库人迁徙到这个虚拟村落，企图独享青春泉源。瑟纳人首领鲁阿弗假藉文化访查之名率众进入巴库星球，企图赶走巴库人，占领巴库星球。皮卡特舰长将所获知的情报呈报杜尔迪司令，却发现司令与星际联邦总部早已知情，并暗中参与这项阴谋。杜尔迪不理会皮卡特的抗议，下令企业号立即撤返，不得干预。毕卡舰长面临了关键性的一刻，若他服从命令就违背了当初加入星际舰队时曾立下的誓言，反之，若采取行动，他则必须放弃事业、组员、企业号、一切！来投入这场天堂之战。
